A new kind of camera: It will be great to experiment with the Autographer in situations where taking photos is difficult. I think especially of running – there are so many interesting scenes you come across when distance training (I’m about to start my 2014 marathon training) and stopping and using your phone can really disrupt your run. I think that it will be interesting to use it when speaking at conferences and capturing other moments where I’m usually focused on something else.
Creating new kinds of stories: Documentally’s* inspired me a bit with his Autographer films earlier this year – like this one about a Storymaking event at the Guardian. It strikes me that there are all kinds of behind-the-scenes, day-in-the-life stories waiting to be told like this.
Seeing how it works socially: In Documentally’s review of the Autographer he talks about both forgetting he was wearing the device and having to consciously make decision to turn the camera off…
I found myself suddenly and understandably concerned by the privacy of those around me. Another time was when I thought other peoples kids were identifiable in a playground.
What might happen when I walk through airport security and inadvertently break the law? What does all this mean for privacy in general?
Like every other piece of social technology we will need to invent the rules and behaviours for devices like this one. I’m curious about how it will feel and the questions it will prompt me to ask myself.
I’ll let you know how I get on…
* He’s actually called Christian Payne, but I always think of him as Documentally.
Having wound down enough to look back on 2012, it has been an amazing year in all sorts of ways.
So here are 50 of my favourite photographs I’ve taken this year. I’ve chosen my favourite shots rather than going for reportage, but it includes weddings, births, national spectacles and Brightonian pagentry…
In terms of my photography, it’s a year of two halves - the first half is dominated by photos taken with the iPhone, edited and posted on Instagram, which was a bit of an obsession. Then in the middle of the year I got a new DSLR – a Nikon D5100 – and the best shots are mostly with that, and one or two Nokia Lumia 920 shots – the phone I got at the end of the year.
Anyway – I hope you enjoy them. Let me know what you think…
Maybe I should reserve judgement until the project is concluded, but I think that Moblog impresario Alfie Dennen may have surpassed himself with the Britglyph project.
The plan seems to be use a combination of GPS and digital photography to map out a geoglyph, a large drawing on the ground, using geeks around the UK to make up the points in a kind of join-the-dots exercise on a massive scale.
The image that people will create, basically by dropping stones on the ground and pins in a Google Map with images attached, is of John Harrison‘s Chronometer H5, the 18th century technological marvel that gave us an accurate way to measure Longitude.
An excerpt from the lost graphic novel: Chronometer to Crack Up: The Fall of John Harrison
The project seems to be in part to promote Shozu, a mobile software application which, as Lloyd Davies pointed out in a comment yesterday, can be set to automatically attach a geotag (location reference) to photos that you upload to Flickr, and possibly elsewhere.
I grew up partly in the Vale of the White Horse, the white horse being one of the oldest geoglyphs in the UK. I recall that people said it used to be a serpent until King Alfred‘s soldiers carved legs on it to celebrate a major battle – but I can’t find any trace of that story on Wikipedia or other websites.